All John Constable Oil Paintings
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John Constable The Hay Wain (mk09) oil painting


The Hay Wain (mk09)
Painting ID::  21437 		Artist: John Constable
Painting: The Hay Wain (mk09)
Introduction: 1821 Oil on canvas,130.5 x 185.5 cm London,National Gallery
   
   
     

 

 

 
 

 

 

 
John Constable The Valley Farm (mk09) oil painting


The Valley Farm (mk09)
Painting ID::  21439 		Artist: John Constable
Painting: The Valley Farm (mk09)
Introduction: 1835 Oil on canvas,147.3 x 125 cm London,Tate Gallery
   
   
     

 

 

 
 

 

 

 
John Constable Lake Derwent with Evening Storm (mk10) oil painting


Lake Derwent with Evening Storm (mk10)
Painting ID::  21770 		Artist: John Constable
Painting: Lake Derwent with Evening Storm (mk10)
Introduction: Watercolour,33.5 x 38 cm London,Victorian and Albert Museum
   
   
     

 

 

 
 

 

 

 
John Constable Landscape with Two Rainbows (mk10) oil painting


Landscape with Two Rainbows (mk10)
Painting ID::  21822 		Artist: John Constable
Painting: Landscape with Two Rainbows (mk10)
Introduction: 1812 Oil on paper 34 x 38 cm London,Victoria and Albert Museum
   
   
     

 

 

 
 

 

 

 
John Constable Old Sarum (mk22) oil painting


Old Sarum (mk22)
Painting ID::  22809 		Artist: John Constable
Painting: Old Sarum (mk22)
Introduction: 1834 Watercolor,30 x 48.7 cm London,Victoria and Albert Museum
   
   
     

 

 

 
 

 

 

 
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     Check All John Constable's Paintings Here!
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable : | fritz thaulow | John Lavery | Eugene Carriere | BRAMANTE | Antoine Berjon |

 

 

 
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